Guillermo del Toro’s The Shape of Water is a true labor of love for the filmmaker. We’ve seen him tackle mainstream blockbuster material with Pacific Rim and Hellboy, but this new, surreal love story has more in common with his adored 2006 film, Pan’s Labyrinth.

It holds the same gentle dark fantasy backbone, using dense colours to tell its story, which follows a mute woman, Eliza (Sally Hawkins), who works as a janitor in a mysterious government laboratory. She keeps in the background,…
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Game of Thrones season seven has been as strong as ever, but episode 6, (Beyond the Wall) the penultimate episode of the season, was not without its problems. Here’s 4 reasons why.
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Game of Thrones‘ seventh season has been nothing short of extraordinary. The intricacies, tangled subplots and huge cast of characters that once seemed so overwhelming have simmered into a full-scale war.

For years we’ve been following Daenerys Targaryen as she rose up from literal ashes, with feeble dragon eggs in hand, to witnessing her shock and awe assault on Westeros. We’ve waited for all the political backstabbing and deceit to transform and ignite a hot war. The battles thus…
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Everyone I’ve spoken to seems to love Trainspotting, and so they should. But twenty-one years after its first release, approximately ten years since my first viewing of it, and two months since my re-watch, why don’t I love it too?
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As surreal as it might be, Tuesday is ultimately a therapeutic film that provides just enough answers amidst the constant head-scratching.
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Three Thousand Years of Longing is an admirable effort, but the premise doesn’t quite reach its potential.
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Nine Days creates a world of its own with nothing more than a remote house and a barren desert.
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Come Away has just enough magic, realism, and magical realism to reach its intended destination.
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