A_Girl_Walks_Home_Alone_at_Night

A Girl Walks Home Alone at Night – Review

Facebooktwittergoogle_plusredditpinterestlinkedintumblrmailFacebooktwittergoogle_plusredditpinterestlinkedintumblrmail 0

Of late, vampire flicks have seen somewhat of a resurgence in quality. What We Do in the Shadows peeked into the lives of vampiric housemates with This is Spinal Tap! results; Only Lovers Left Alive used the creatures’ immortality as a thinking cap to ponder the meaning of existence; bloodsuckers converged on a sleepy British town in Byzantium to wreak darkness upon normality. Add to that list A Girl Walks Home Alone at Night, a startlingly unique tale from Iranian-American director Ana Lily Amirpour.

Welcome to Bad City, an Iranian ghost town that has its fair share of drug addicts, thieves, and a roadside pile of dead bodies that mysteriously keeps getting higher. Little do the residents know that the body count belongs to a single figure; veiled in black and prowling the streets, a beautiful lone vampire (Sheila Vand) hunts for her next victim. But she likes indie music, and has something of a conscience to go with it – and Arash (Arash Marandi), a mild-mannered, good-looking James Dean-type, might be able to show her a new direction.

Recommended:  The Ballad of Wallis Island Review

Everything about Amirpour’s film burts with originality. Filmed in lush monochrome, the black and white photography leaves plenty of shadows for dark things to hide in – and when our vampire does go in for the kill, the movie becomes genuinely scary. But A Girl Walks Home Alone at Night belies any horror trappings, for it’s a movie that is just as funny as it is scary, if not more so. But don’t class this as horror-comedy; the movie almost belongs to its own genre, as it occupies its stilted semi-apocalyptic world so fully, that any narrative heft (of which there isn’t much) isn’t needed to suck us into what is essentially a remarkably twisted love story. But despite its uniqueness, A Girl Walks Home Alone at Night is painfully short; there’s a sense of huge build-up with little pay-off. But this is a movie that invests you so deeply in its personality, you’ll want to get to know it better – and that means watching more than once.

Facebooktwittergoogle_plusredditpinterestlinkedintumblrmailFacebooktwittergoogle_plusredditpinterestlinkedintumblrmail 0

Leave a Reply

Your email address will not be published. Required fields are marked *