If you happen to find yourself making a documentary on political upheaval, the complexities of war, and civilian protest, the easiest way of getting your film finished is by making it as long, overstuffed, and boring as possible. There’s no way an issue as complicated as the run-up, and fallout, of the 2003 Iraq War is going to be delivered to our screens with a nice little bow, at once succinct and engaging. But then again, you’re not Amir Amirani; his debut documentary feature We Are Many…
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