After watching Bryan Cranston eat up the frame in the trailer for Trumbo, you’ll be sat there in the cinema, for the movie itself, expecting great things. Snappy repartee; iconic performances; an important message about freedom in Hollywood, articulately told from the setting of the movie industry itself. But Trumbo is far too bitty dramatically, and curiously negligent of its own central themes, to resonate any more than another typical, mired biopic.
Dalton Trumbo is a Communist. During…
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