The Master is one of a kind. The layers of storytelling are seemingly endless – not unlike a cinematic labyrinth. You can watch Paul Thomas Anderson’s epic five or six times, and I guarantee you’ll come out with a new detail you hadn’t noticed before. On the exterior, it’s a story about an alcoholic drifter named Freddie Quell, his post-war turmoil, and his inability to reintegrate into peace time. Fighting the pacific has left him with a bruised soul. Quell’s body contorts in…
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