Whether you know it or not, love is one of the grand constants of cinema; our relationships with characters, our investment in a film’s story, and even our perception of morality is all tied up in the L word, and how the tricky thing meddles with everything it touches. But it’s still something that can be tested – and in 10.000 km, the remarkably well-observed feature from first-time director Carlos Marques-Marcet, that test happens to be quarter of the planet’s circumference.

For Alex…
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