The power of the horror genre at the moment is pretty astounding when you think about it – low cost of productions, strong possibility of high-profit margins, almost critic proof despite the raging battle between studios and Rotten Tomatoes over recent months – so it really is no surprise that sequels are a healthy business even if the film that preceded it wasn’t much cop in the first place.
That statement and much of the above can be said of New Line and Warner Bros The Conjuring…
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